3.7 GB TRACKS: Disc One 1.01 Early Works: Music in Contrary Motion 15:35 1.02 Early Works: Music with Changing Parts (edited) 45:37 1.03 Early Works: Music in Similar Motion 17:11 Disc Two 2.01 Music in 12 Parts: Part 7 19:58 2.02 Music in 12 Parts: Part 8 18:17 2.03 Music in 12 Parts: Part 9 12:14 2.04 Music in 12 Parts: Part 10 17:08 Disc Three 3.01 Einstein on the Beach: Knee Play 1 8:04 3.02 Einstein on the Beach: Train 1 13:46 3.03 Einstein on the Beach: Knee Play 2 6:08 3.04 Einstein on the Beach: Knee Play 3 6:30 3.05 Einstein on the Beach: Trial 2 / Prison: 'Prematurely Air-Conditioned Supermarket' (edited) 12:17 3.06 Einstein on the Beach: Knee Play 4 7:05 3.07 Einstein on the Beach: Bed: Prelude 4:24 3.08 Einstein on the Beach: Spaceship 12:51 3.09 Einstein on the Beach: Knee Play 5 8:04 Disc Four 4.01 Glassworks/Analog: Orange Mountain Music Archive: Opening 6:12 4.02 Glassworks/Analog: Orange Mountain Music Archive: Façades 7:17 4.03 Glassworks/Analog: Orange Mountain Music Archive: Floe '87 8:44 4.04 Glassworks/Analog: Orange Mountain Music Archive: Closing 5:17 4.05 Glassworks/Analog: Étoile Polaire 2:38 4.06 Glassworks/Analog: Étoile Polaire: River Run 1:54 4.07 Glassworks/Analog: Étoile Polaire: Are Years What? (For Marianne Moore) 4:01 4.08 Glassworks/Analog: Étoile Polaire: Age des Orages 3:47 4.09 Glassworks/Analog: Étoile Polaire: Ave 4:44 4.10 Glassworks/Analog: Étoile Polaire: Montage 2:33 4.11 Glassworks/Analog: Dressed Like an Egg: Part IV 3:12 4.12 Glassworks/Analog: Dressed Like an Egg: Part V 1:33 4.13 Glassworks/Analog: Mad Rush for Organ 16:14 Disc Five 5.01 Satyagraha: Act I (Tolstoy), Scene 1: The Kuru Field of Justice 18:47 5.02 Satyagraha: Act I (Tolstoy), Scene 2: Tolstoy Farm (1910) 11:01 5.03 Satyagraha: Act II (Tagore), Scene 1: Confrontation and Rescue (1896) 14:44 5.04 Satyagraha: Act II (Tagore), Scene 3: Protest (1908) 15:16 5.05 Satyagraha: Act III (King), Scene 1: Newcastle March (1913) - Part 3: Evening Song 8:22 Disc Six 6.01 Koyaanisqatsi: Koyaanisqatsi (listen to full-length track)3:26 6.02 Koyaanisqatsi: Organic 7:47 6.03 Koyaanisqatsi: Cloudscape 4:32 6.04 Koyaanisqatsi: Resource 6:39 6.05 Koyaanisqatsi: Vessels 8:05 6.06 Koyaanisqatsi: The Grid 21:23 6.07 Powaqqatsi: Serre Pelada (listen to full-length track) 5:02 6.08 Powaqqatsi: Train to Sao Paulo 3:04 6.09 Powaqqatsi: Video Dream 2:15 6.10 Powaqqatsi: New Cities in Ancient Lands, China 2:48 6.11 Powaqqatsi: New Cities in Ancient Lands, Africa 2:56 6.12 Powaqqatsi: New Cities in Ancient Lands, India 4:42 6.13 Powaqqatsi: Mr. Suso #2 with Reflection 1:19 6.14 Powaqqatsi: Powaqqatsi 4:35 Disc Seven 7.01 String Quartet No. 2 (Company): Movement I 2:11 7.02 String Quartet No. 2 (Company): Movement II 1:36 7.03 String Quartet No. 2 (Company): Movement III 1:32 7.04 String Quartet No. 2 (Company): Movement IV 2:12 7.05 Étude for Piano No. 2 4:52 7.06 Étude for Piano No. 9 3:35 7.07 String Quartet No. 5: Movement I 1:11 7.08 String Quartet No. 5: Movement II 2:59 7.09 String Quartet No. 5: Movement III 5:28 7.10 String Quartet No. 5: Movement IV 4:38 7.11 String Quartet No. 5: Movement V 7:46 7.12 Étude for Piano No. 5 5:44 7.13 Étude for Piano No. 3 4:54 7.14 String Quartet No. 4 (Buczak): Movement I 7:59 7.15 String Quartet No. 4 (Buczak): Movement II 6:22 7.16 String Quartet No. 4 (Buczak): Movement III 8:48 Disc Eight 8.01 the CIVIL warS: Act V—The Rome Section: Prologue 18:49 8.02 Hydrogen Jukebox: Song #3: From Iron Horse 2:54 8.03 Hydrogen Jukebox: Song #2: Jahweh and Allah Battle 2:54 8.04 Hydrogen Jukebox: Song #11: from The Green Automobile 5:59 8.05 Hydrogen Jukebox: Song #9: From Nagasaki Days (Numbers in Red Notebook) 0:40 8.06 Hydrogen Jukebox: Song #10: Aunt Rose 4:58 8.07 Hydrogen Jukebox: Song #6: From Wichita Vortex Sutra 7:45 8.08 Symphony No. 5: Suffering (edited) 5:07 8.09 Akhnaten: Act I, Scene 1: Funeral of Amenhotep III 8:59 8.10 Akhnaten: Act I, Scene 3: The Window of Appearances 4:24 8.11 Akhnaten: Act II, Scene 4: Epilogue 10:36 Disc Nine 9.01 Symphony No. 3: Movement I 4:37 9.02 Symphony No. 3: Movement II 6:15 9.03 Symphony No. 3: Movement III 10:05 9.04 Symphony No. 3: Movement IV 3:39 9.05 Symphony No. 8: Movement I 19:27 9.06 Symphony No. 8: Movement II 12:18 9.07 Symphony No. 8: Movement III 6:57 Disc Ten 10.01 Mishima: Opening (listen to full-length track) 2:46 10.02 Mishima: November 25: Morning 4:11 10.03 Mishima: Closing 2:59 10.04 The Secret Agent: The First Meridian 3:21 10.05 The Secret Agent: Secret Agent 4:51 10.06 Kundun: Sand Mandala (listen to full-length track) 4:06 10.07 Kundun: Distraught 3:00 10.08 Kundun: Lhasa at Night 2:00 10.09 Kundun: Escape to India 10:05 10.10 Anima Mundi: Living Waters 3:51 10.11 Anima Mundi: The Witness 4:10 10.12 La Belle et La Bête: Overture 3:31 10.13 The Thin Blue Line: Houston Skyline 4:43 10.14 Dracula: Dracula 1:15 10.15 Dracula: The Storm 1:34 10.16 Dracula: Dr. Van Helsing and Dracula 2:22 10.17 The Fog of War: The War to End All Wars 1:44 10.18 Candyman: It Was Always You, Helen 3:09 10.19 The Truman Show: Raising the Sail 2:15 10.20 The Hours: The Poet Acts 3:43 我有是有,不過本人聽他總缺少激情,所以一張都沒聽~ 需者自取吧 http://rapidshare.com/files/199750759/phgl2008glbox.part01.rar 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Watch a clip from Philip Glass's Einstein on the Beach Philip Glass and Robert Wilson’s abstract opera premiered in 1976, launching Glass’s career as an opera composer and making his name.
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In 1976 Philip Glass was an unknown composer — almost pushing 40, and driving a taxi to make ends meet — when he got his break: a new work performed at New York’s echt-prestigious Metropolitan Opera. “Einstein on the Beach” was directed by Robert Wilson, a key figure in the avant-garde; it was 4 ½ hours long, had no plot anybody could follow and drove a lot of listeners crazy. But almost overnight, it turned Glass into a household name.
More than four decades later, Glass is one of the most influential composers working today, with a huge body of symphonies, operas and chamber music; he redefined the sound of television advertising and movie scores. That work ethic has served him well. 'I had to work so hard that I didn’t have any time to think about slowing down,' Glass says.
Glass credits two teachers he had in the mid-1960s with shaping his signature sound: pianist and composer Nadia Boulanger, and the sitar player Ravi Shankar. 'I was with them at the same time,' he says. With Boulanger, Glass studied composition and harmony; he absorbed the binary rhythmic structure of Indian music from Shankar. 'Instead of ones and zeros, [in Indian music] they use twos and threes,' Glass says. “‘Einstein’ came ten years after I completed my studies with them, and I spent ten years developing a language which integrated this binary way of thinking with traditional harmony.'
In 2011 Glass created a new opera about another visionary, this time a quintessential American: Walt Disney. It explores the 'immortality of the art and mortality of the artist,' but Glass doesn't want to whitewash Disney's life and legacy. 'When we elevate our artists and geniuses beyond the human level we lose something. Opera, above all, is poetry.'
Bonus Track: An extended conversation with Philip Glass
Highlights from the full conversation:
8:30 — “Einstein on the Beach”: Glass is surprised at how contemporary the work sounds. 'If it hadn't been written 35 years ago, if someone turned up with that piece today, it would sound absolutely new.'
15:30 — Nadia Boulanger and Ravi Shankar: In the mid-1960s, Glass studied with two legendary teachers of dramatically different styles, Nadia Boulanger and Ravi Shankar. 'I often describe the experience of that year...was like having two angels on my shoulder, one in the right ear one in the left ear. One taught through love and one taught through fear.'
17:58 — Familiarity breeds love: New musical and artistic ideas can be shocking, and Glass reflects that 'the shock of a new language … can paralyze you at first; however, I had learned from my father actually, that familiarity can breed love.'
21:30 — Influence of rock and roll: 'My introduction to amplified music was through the Fillmore East, which was at that time on East 4th Street on 2nd Avenue,' Glass remembers. 'I walked in to hear the Jefferson Airplane, and it was literally a wall of speakers that went up to the ceiling, and it was a fantastic sound.' Glass goes on to discuss Brian Eno, David Bowie and improvised vocal sessions of Beatles songs during New York City subway trips with fellow Juilliard composers. 'There was a lot to be stimulated by in popular music.'
32:46 — Walt Disney: Having written about Einstein and Gandhi, Glass wrote an opera based on the final days of Walt Disney, and the conflicts that Disney experienced in dealing with his own legacy. 'One of the big themes is the immortality of art and the mortality of the artist.'